你说的村长？

其实只要别太随意就好，祝楼主愉快

穿个小礼服被。

村长。。狼村村长。。喜狼狼懒狼狼慢狼狼沸狼狼美狼狼。。我脑残了

东部高中。。歌舞青春

刚从演奏会回来 现场上座率90% 演出结束后 掌声雷动 返场了2次 觉得作为中国人很自豪啊

我坐第10排~向后看感觉没啥空位。应该不止90%吧~我买票时候坐位都不多了~

Lang Lang’s physical movement, something for which he has been criticized, didn’t seem extraneous or distracting at this concert, but he conveyed a palpable warmth and charisma throughout the evening. "Quiet before the storm" passages were especially thrilling as he ended each ballade with blurred fingers racing to climatic endings.
The concert began with three Mozart sonatas, numbers 4, 5 and 8. The 5th sonata’s opening was unhurried, showing plenty of daylight between notes, then alternated between lingering melodic sweetness and left-hand bombast.
Though technically transparent, Lang Lang seemed to gravitate toward stylistic excess during the Mozart works, especially during the slow movements of the 5th and 8th sonatas. Paradoxically, the 4th sonata’s opening Adagio movement was exquisitely interpreted with breathtaking delicacy and a melody that seemed to suspend time.
The quicker movements were also dazzling with mercurial runs and tasteful trills that ended many passages.
The near capacity audience noisily applauded at the end of the concert, earning two encores, a beautifully sculpted Chopin Nocturne and the same composer’s famous show-stopping Waltz in D-flat Major, "Minute Waltz."
The pianist phenom lived up to his billing, creating a memorable evening — something that will have increased meaning, especially if Lang Lang’s stratospheric trajectory continues on course.