回复：【The Oranges】【期待】电影《The Oranges》视频+图片+简介

这个家伙就是前面那顶橘黄色帽子上的logo了。
莫非已经确定它是官方logo了？这是什么意思啊我想说............
为什么是一头驯鹿，还是一个打着石膏的驯鹿............

在5月13号的新闻《Vera Wang Set to Launch Lovestruck》
（source：http://www.wwd.com/eyescoop/vera-and-leighton-lovestruck-3612214）
Lei提到了《The Oranges》，她说会在9月release...........
quote：
Meester’s next movie, “Monte Carlo,” is out in July. “I have another movie coming out in September called ‘The Oranges’ (Hugh Laurie co-stars), where my character falls in love with a slightly older man,” she starts.
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为什么和之前的消息又不一样了..........
急需官方的消息...........但是官方米有消息....................

橘子消息：
Music Supervisor Robin Urdang Talks “Beginners” Soundtrack
Music supervisor Robin Urdang began her film music career working on ‘The Mambo Kings,” and has since been involved with over 55 films. In this exclusive interview, she talks about “Beginners” starring Ewan McGregor, which opens June 3, as well as her other current projects including hit TV show “Burn Notice.”
...
3. What other films are you working on? Music highlights?
Right now I am working on a few independent films and a few television shows. 【I’m am in post production on the film “The Oranges,” which stars Leighton Meester, Hugh Laurie, Oliver Platt, Catherine Keener, Adam Brody and Allison Janney. 】Julian Farino is directing and Grant Lee Phillips is scoring it for us. I’m also in production on film “As Cool As I Am,” directed by Max Mayer, who I worked with on “Adam,” and stars Claire Danes. We just brought on Alanis Morissette to play the role of a pop star, so that’s incredibly exciting for me. She is perfect for the character she plays and we hope to have her write an original song. I’ve just started a new series, “Necessary Roughness,” with my friend Nora Felder. It was actually Nora who asked me to join her on the project. The pilot is great, the scripts are fun, and we just got our first cut of the show to start finding music.
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好少。。就是说 Robin Urdang 这个音乐总监说自己在制作橘子的音乐。。。
得到的消息有：1.橘子还在后期制作
2.橘子的音乐是由Robin Urdang 弄的

上面的截取
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【Right now I am working on a few independent films and a few television shows. I’m am in post production on the film “The Oranges,” which stars Leighton Meester, Hugh Laurie, Oliver Platt, Catherine Keener, Adam Brody and Allison Janney. Julian Farino is directing and Grant Lee Phillips is scoring it for us. 】
目前我在为几个独立电影和电视剧工作。我现在在正处于后期制作的电影“the oranges”里工作。“the oranges”是由Leighton Meester, Hugh Laurie, Oliver Platt, Catherine Keener, Adam Brody and Allison Janney.几位明星联袂出演的。Julian Farino 是电影导演，Grant Lee Phillips在为我们配乐。
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大概是2~3天前的资料。。。

哈哈补张小妞发推确认橘子参展tiff图

贴一点剧情描述：
The Oranges
Genre: Indie Comedy
Premise: Two neighboring suburban families are thrown into disarray when the father of one family starts dating the daughter of another.
About: This was a huge script a few years ago as it finished Numero Two-o on the 2008 Black List, behind The Beaver and ahead of Butter and Big Hole. Co-writer Jay Reiss may sound familiar as he has another script on my Top 25 list, Lonny The Great. The Oranges has already completed production and dove straight into the chewy center of the indie film scene for its cast. We’ve got Hugh Laurie (playing David), Catherine Keener, Oliver Platt, and Allison Janney. We also have Orange County native (so to speak) Adam Brody, and up and comer Leighton Meester playing the lead character, Nina.
Writers: Ian Helfer and Jay Reiss
Details: 116 pages - undated (This is an early draft of the script. The situations, characters, and plot may change significantly by the time the film is released. This is not a definitive statement about the project, but rather an analysis of this unique draft as it pertains to the craft of screenwriting).
I’m a big Reiss fan. The Oranges was actually on my Top 25 List like a gazillion years ago when Scriptshadow started in the 1960s. Back then it was all about the drugs and the women man. Those were the days. Groovy. But I’ve matured a lot since then. 1500 scripts later, in addition to no longer lacing my French toast with PCP, The Oranges no longer resides inside the coveted Top 25. Somehow it slipped out. And I was curious why. It wasn’t like I’d forgotten the script. But there’s something that never sat right with me about it. I wanted to know what that was.
Say hello to another middle class suburb in Joisey, probably a stone’s throw away from where the Manzos and the Gorgas reside. This is where we meet two happy families. Or I should say two families who PRETEND to be happy. There’s married couple David and Paige. He’s overworked and she’s really gung-ho about Christmas. They have an outcast early 20s daughter named Vanessa. Then there’s Carol and Terry. Carol’s a therapist and Terry’s a gadget hound. He would sleep at Best Buy if it was legal. They have a daughter, Nina, who Vanessa used to be besties with, but not anymore. Turns out Nina left Vanessa for a bigger and better crowd. And Vanessa’s never forgotten it.
Vanessa also happens to be the narrator for our film (even though she’s probably the least important character of the bunch). She lets us know that David and Paige have ZERO chemistry with each other. Which, you know, is just like 70% of the marriages in America, so not a big deal. Except that Nina, Vanessa’s old friend, has just found out that the guy she’s marrying is cheating on her. So she runs back home to Carol and Terry, who seem to be swimming in I-told-you-sos, and starts having some inappropriately long conversations with David.
Because David isn’t exactly gung-ho about Little Miss Nutcracker (aka,

his wife), he begins to entertain these flirty advances. And those advances quickly escalate to motel visits. Nothing like an aging TV set and a lack of non-bed furniture to take a relationship to the next level.
The thing is, they’re really bad at hiding their affair, so they just decide – **** it – let’s tell everyone. Awwww. It’s so great when people are honest right? Well, unless the person you’re honest to is Paige, who was already a few twirls short of a candy cane. Paige goes on a ram-paige, moving out of the house and letting her Christmas spirit reach a whole new level. You’ll have to read to find out what that means.
Truth be told, the rest of the families aren’t really into it either. There is zero chance in hell (aka New Jersey) that David and Nina will ever be able to have a normal relationship together. So the fact that they’re selfishly trying is just leaving a lot of pissed off sons, daughters, and spouses. Even the community itself starts crumbling around them. They know they should end it. But do they?
Here’s the dealio. I liked The Oranges in a “I appreciate good screenwriting” sort of way. But I kept going back to that first read, where something didn’t sit right with me. Finally, after reading it this second time, I think I’ve located the problem. The Oranges basks in its hopelessness. Everybody here is mean and rotten and heartless and angry and selfish and cruel. Even in the central love story, between Nina and David, I didn’t feel that they liked each other so much as they wanted to use one another to piss everybody else off. Contrast that with a similar movie like American Beauty, where the central relationship, between Jane and Ricky, is so genuine.
As cheesy as it sounds, I like my movies to offer a sense of hope when they’re all said and done. I believe that’s why a lot of people go to the movies. To reaffirm their hope in the world. It’s why happy endings are so popular. If the message is just, “Life sucks, then you die,” – I’m sorry, but I can throw on CNN if I want that. And I’m not saying that’s exactly what The Oranges preaches. Vanessa and Nina do sorta rekindle their friendship at the end. But there’s no doubt that the pervasive message here is that we’re all ****ed up selfish creatures doing ****ed up selfish things and that there’s a good chance that’s never going to change.
But hold up. I love me a tall glass of OJ in the morning, and there are plenty of freshly squeezed bits here to savor. I liked the chances the screenplay took. For example, in every single one of these movies, the cheating couple keeps their affair secret until they’re caught. I liked that, around the midpoint, David and Nina sit everyone down and say, “Hey everybody. We’re together.” I wasn’t expecting that. And it gave the rest of the story a whole new flavor.
Also, Paige’s obsession with Christmas and her unique Christmas-inspired breakdown is pretty damn funny. I thought it was a great choice to frame the story between Thanksgiving and Christmas in general, as it’s traditionally the most stressful month of the year. Talk about upping the conflict. I liked Ethan, Nina’s old boyfriend, popping back into the mix near the end to add even more craziness to the ordeal. Reiss and Helfer really nailed the chaotic element here. Everything that could go wrong, does go wrong, and we watch these characters hopelessly unravel as it does.
But I still can’t shake the feeling this screenplay left me with afterwards. I didn’t want to do anything for a couple of days. I just sat there and thought, “Are people really like this? Is this what America has become?” I’ll be honest. It bothered me. But the fact that the writer had me thinking at all is a good thing, as it means the story affected me in some way. And the writing itself, while not exactly inspiring “The Secret” like positivity, is really good. This was an interesting one. What did you guys think?
[ ] What the hell did I just read?
[ ] wasn’t for me
[x] worth the read
[ ] impressive
[ ] genius
What I learned: I’m still not liking the message here. People are mean. Don’t trust anyone. When the going gets tough, give up. Here’s a good lesson to remember. One of the character types that really resonates with audiences, is the character who keeps trying despite the world repeatedly pushing them down. We don’t like quitters. We’re attracted to people who persevere. To see someone fall into so many pitfalls, yet keep going, is the essence of hope. It makes us feel good. If they can do it, we say, then maybe we can do it too. That’s why I liked Lonny The Great. And if you look through your list of favorite movies, I’m going to bet that 80-90% of the main characters fall into that category as well. Anyway, I just didn’t like how the characters here seemed to be continuously throwing in the towel. It bummed me out.

关於多伦多电影节的消息

在Susan G.Cole写的本届多伦多电影节最期待五部电影中看到了The Oranges。
5. The Oranges Terry and Carol (Oliver Platt and Allison
Janney) are shocked when their daughter (Leighton Meester) gets involved
with David (Hugh Laurie), a guy their age. But they’re not as flipped
out as David’s wife, Paige (Catherine Keener), who goes way off the
rails. This is the first feature by Julian Farino, who’s made some great
TV, including Sex And The City, Entourage and Big Love. How can he
possibly go wrong with this cast?September 10, 8 pm, Winter Garden; September 13, noon, Ryerson; September 16, 9:15 pm, Scotiabank 1.
因为发网址会被吞，所以只好发网页截图。

The Oranges的“拍卖”标识，希望在多伦多电影节上能卖个好公司！！！
TIFF 2011 Buyer's Club: #8. Julian Farino's The Oranges
The Gist: Written by Jay Reiss and Ian Helfer, the Ostroff and Walling
families are best friends and neighbors, living across the street from
each other on Orange Drive. Prodigal daughter Nina Ostroff (Meester)
returns home for Thanksgiving dinner after a five-year absence, newly
broken up with her fiancé Ethan (Rosen). Rather than developing an
interest in the successful son of her neighbors, Toby Walling (Brody),
which would please both families, it’s her parents’ best friend David
Walling (Laurie) that captures Nina’s attention.
Director: Julian Farino (Television work: Sex and the City, Entourage, Big Love, The Office)
Sales Agent: CAA
Selling Point/Suited For: The number 2 on 2008's Best Unproduced
Blacklist screenplays behind The Beaver and before fellow 2011 invited
TIFF items: Butter (#3), 50/50 (#9) and The Descendants (#17), in some
regards this ensemble headed by Hugh Laurie might remind some of the
workings of an American Beauty. This infidelity in the suburbs is
great on paper, my thinking this will translate into an opening night
with tons of studio heads in attendance. If the first screening at the
Winter Garden is still full when the curtains come down, then expect a
deal announcement within 72 hours from premiere night.

新照

前面几个视频都不能看了，这是Season3 第3、4集Lei客串的片段合集