New to cinemas this weekend is a vampire film, so far so predictable. But this is no familiar bloodsucker saga, like the teen skirmishes of the "Twilight" brood or the gothic excesses of Hammer. The vampires at the centre of "Only Lovers Left Alive" are ancient souls, stylish sanguiphiles, connoisseurs of the finest red-stuff that sommeliers or dealers can procure. They don't bite. They're preoccupied instead with the fragile state of humanity, gazing sadly with the wisdom of centuries. They are also as played by Tilda Swinton and Tom Hiddleston, husband and wife. This luxuriant knowing version of the myth is presented by another cool sunglass-wearing loner - the director Jim Jarmusch, perhaps best-known for "Ghost Dog: The Way of the Samurai". The new film showcases many of his eclectic interests, as film critic Jonathan Romney explained. This is very much a Jim Jarmusch film. In a sense that it feels and it looks like a vampire movie. It feels like the last vampire movie. It's almost as if he's decided to say the last thing you can possibly say about nocturnal bloodsuckers, who are of course aristocratic hipsters. Thus. It's taking the theme of, you know, all of those things, like "Interview with the Vampire", and pushing it that much further, almost to the point of the ridiculous, but he does it with great style. So they are the typical Jim Jarmusch outsiders and they're kind of rock and roll aristocrats.
男神的英音真是太好听了！
