感觉neighbors好还是有预见的 因为这次rogen没有just throws bfff shit,他真的说了问题，就是说结婚之后即将踏入中年的夫妇 还能不能有having fun的能力 跟frats正好形成了对比 zef的角色 就等于说是seth年轻时候想要成为的样子 而zef的角色又要马上离开兄弟会 成为seth的样子 是比较整齐的结构 所以绝对不会太松散

哭完了 HitFix这种抽风东西都给了A
怎么办 怎么办 幸福来得太快了

"Neighbors" is a comedy people will return to often, and I would hope it leads to much more work for the writers. Stoller is already in demand, but I think this is going to make people reassess just how good he really is. What we saw tonight is technically a work-in-progress, but it felt very polished already. I may have a slightly sore throat as I head to bed tonight, but it's sore from laughing. One of the highest compliments I can pay to any film is to say I can't wait to see them again, and that is absolutely true of "Neighbors.
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This is literally the best thing I could wish this movie to be
Thank you all the cast and crew for making this movie possible
I love you so much

I don't want to be like a bitch but hey
tsn is B and fs is a relatively overrated A-
they didn't even get a A
ugh i'ma cry

screencrush的8分影评写的真心的好 不是因为他说neighbors好 是真的写的非常棒
贴来拜读一下
It’s hell getting old. You’re overworked, underpaid, get grey hairs, everything hurts, there’s barely time for sex, you fall asleep on the couch watching ‘Game of Thrones‘ and, unless you’re George Clooney, you’re just not cool anymore. You either hike up your pants and accept it, or you wage all out war. It’s the latter that highlights the uproarious Seth Rogen and Zac Efron comedy ‘Neighbors,’ which just might be the funniest American movie since … well, since Seth Rogen’s last movie.
The film stars Rogen as Mac Radner, who, along with his wife, Kelly (Rose Byrne), has sunk a lot of money into a dream house in a quiet, suburban neighborhood, where they plan to raise their baby girl, Stella. That is until the Delta Psi frat house moves in next door. Despite the noise and disruption, the yuppie couple share an agreement with the frat alpha dogs (Zac Efron and Dave Franco), until they break the code and call the cops in a fit of frustration one night. From there, it’s the family vs. the frat in a wildly escalating battle of who can force whom out of the neighborhood first.
While the ‘Neighbors’ story is slim, the film more than makes up for a flimsy plot with jokes and comic set pieces that come rapid fire and land with such impressive accuracy and success that you’re laughing too hard to notice much else. Directed by Nicholas Stoller (‘Forgetting Sarah Marshall’), ‘Neighbors’ is an insanely funny comedy; the kind where jokes are so easily missed because you’re still laughing too hard at the one they told just a few seconds ago.
What’s most remarkable about ‘Neighbors’ is its restraint. Compared to Stoller’s last film, ‘The Five-Year Engagement,’ a film that felt as long as its title, ‘Neighbors’ feels positively brisk. Most modern comedies can’t find it within themselves to trim the fat, leaving jokes to go on far too long and killing momentum and timing. There’s only one real scene of extended improv and it’s one of the few bits that falls flat. Stoller keeps the film moving along with an impressive speed and momentum, never once slowing down and keeping a chaotic and unpredictable tone.
Frantic energy has always been one of Rogen’s strong suits and he’s at his best here dealing with the increasingly rising stakes in the war with his new neighbors. The more the war next door escalates and chaos piles up, the better Rogen gets. He hasn’t been this good, this sharp and this comfortable with his own skills as a comic actor since 2008′s ‘Pineapple Express.’ Rogen has made a living out of playing the listless man-child and some of that is certainly on display here as his character initially would rather smoke a joint with the bros next door than rat them out. But, his character in ‘Neighbors’ feels different for Rogen, who is playing a role that will appeal more to the weary fathers in the audience than the stoners.
And, if Rogen cements his status as one of the finest comedic actors working in Hollywood, Rose Byrne has all but declared herself more than able to stand alongside any of the best comediennes. Byrne, who played alongside Kristen Wiig in ‘Bridesmaids,’ proves every bit her equal in a shockingly funny performance that, in a film chock full of funny dudes, steals the show. Previously relegated to supporting roles (including two of Stoller’s previous films, ‘Forgetting Sarah Marshall’ and ‘Get Him To the Greek’), this is Byrne’s first lead role in a comedy and we’re sure it won’t be her last. What could’ve been the generic mom/wife character who stands on the sideline nagging her husband (a stereotype even alluded to in the movie — “Haven’t you see a Kevin James movie?!”) transforms as Byrne unhinges as the movie progresses, and both the actress and the character are in complete control.
Efron is impressive in straying far from his usual type, but one wonders how far it is from Efron’s actual personality. He’s at one point a complete sweetheart, charming all the little old ladies on the block, and the next a sadistic madman, rigging booby traps around the Radner home. He could just be played as a dummy, but Efron wisely plays him as a dummy who is slowly beginning to realize that he’s a dummy, even amongst his bros. He can’t give up the fight, because he has no idea what he’ll do when he does. It’s a movie that will certainly help break the former ‘High School Musical’ star out of whatever creative rut he found himself in, even if comedy isn’t always in his future.
While Rogen, Byrne and Efron make up the strong leading roles, Stoller has impeccably cast the rest of the film with a hilarious group of actors ranging from Dave Franco (who deserves a lead role at this point), comedian Hannibal Burress, Jerrod Carmichael and Ike Barinholtz. That’s not even mentioning the little baby, who’s adorable even by Hollywood baby standards (make sure you stick around after the credits, for a fantastic baby-centric credits sequence).
Right up there with ‘This Is the End‘ and ‘Bridesmaids’ as one of the funniest films of the past few years, ‘Neighbors’ is a confident and chaotic comedy that marks career bests for almost all involved. Getting old may be hell, but as this group proves, getting older sometimes means getting better.

the film stage这个装逼站 不知道用什么眼光来评价 居然只给了B-...
连我渐渐失去爱意的iw都给了A- 你们居然还是用装逼的眼光去看屎尿屁
让我这样一名你们网站和你们推特+汤的忠实拥护者多么的失望啊 哼

不过他家说zef的话还是挺好的
With the unforgettable (for better or worse) The Paperboy and last year’s reserved At Any Price, Efron has been slowly breaking out of his safe, teenage image and this film certainly pushes its R-rating limits. His comedic timing and cockiness are a perfect fit for the leader of the hooligans next door. He plays up the physical aspect many know him for by often appearing shirtless while frequently acting like an idiot that has continually has had things handed to him. The dynamic between Teddy and Pete is one of the most interesting aspects, as they are both leaders in the same fraternity, yet completely different in their aspirations and school life. Pete is the smart, focused one while Teddy is much too preoccupied with getting back at the Radners or throwing epic parties.

看看这Meta的打分 又哭了


马上就翻身做主人的感觉 烂片的委屈全都跑光了

综艺给的分儿最低 不过特别表扬Zef来着
Zac Efron gives one of his most credible and intriguing performances in this winningly stupid frat comedy.