洛神
施海
2003年
129x110x62cm
74x66x35cm
121x110x70cm
青铜
Roselle
Shi hai
2003
129x110x62cm
74x66x35cm
121x110x70cm
Bronze
《洛神》作品系列吸取了魏晋时期的绘画中的养分，作品一气呵成，线条紧劲连绵，泥巴的塑造中确有笔墨的洒脱。人物造型“玉树临风”，气韵生动、悠缓自然、非常匀和的节奏感，视觉的享受扑面而来，三人一组，人物之间气势连贯，衣纹的折皱“纵横交错”、“虚实藏露”。人物的面孔被一笔带过，但人之间性情却有不同，作者体现在人物的态势上。这件作品使我羡慕古人衣着如仙，风流倜傥，放浪山水，探奇览胜的日子。
<Roselle>production series nutrient in the drawing having absorbed the Wei Jin period, work accomplish a composition in one breath, the line tightens a strength having pen and ink freeness and easiness continuously, indeed in the mud molding, The personage model ”jade tree faces wind”, artistic conception is vivid, swing the slow at ease, very ever sense of rhythm, visual enjoyment blows on the face, momentum is coherent, clothes lines dead fold is “arranged in a crisscross pattern”, “actual situation hides a dew” betweeen three people group, the personage, But the personage face had been brought aling quilt one, temperament has no equal to but between person,
施海
2003年
129x110x62cm
74x66x35cm
121x110x70cm
青铜
Roselle
Shi hai
2003
129x110x62cm
74x66x35cm
121x110x70cm
Bronze
《洛神》作品系列吸取了魏晋时期的绘画中的养分，作品一气呵成，线条紧劲连绵，泥巴的塑造中确有笔墨的洒脱。人物造型“玉树临风”，气韵生动、悠缓自然、非常匀和的节奏感，视觉的享受扑面而来，三人一组，人物之间气势连贯，衣纹的折皱“纵横交错”、“虚实藏露”。人物的面孔被一笔带过，但人之间性情却有不同，作者体现在人物的态势上。这件作品使我羡慕古人衣着如仙，风流倜傥，放浪山水，探奇览胜的日子。
<Roselle>production series nutrient in the drawing having absorbed the Wei Jin period, work accomplish a composition in one breath, the line tightens a strength having pen and ink freeness and easiness continuously, indeed in the mud molding, The personage model ”jade tree faces wind”, artistic conception is vivid, swing the slow at ease, very ever sense of rhythm, visual enjoyment blows on the face, momentum is coherent, clothes lines dead fold is “arranged in a crisscross pattern”, “actual situation hides a dew” betweeen three people group, the personage, But the personage face had been brought aling quilt one, temperament has no equal to but between person,
